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Soap operas were needed to fill TV air time, and popular Cantonese songs became TV theme songs. For example, The Fatal Irony ( 啼笑因緣) and Games Gamblers Play ( 鬼馬雙星) took the local music scene by storm as soon as they were broadcast on the radio and television.
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At the same time, television was fast becoming a household must-have that offered free entertainment to the public. Notable singers from the era include Liza Wang and Paula Tsui. The other was more western style music largely from Polydor Hong Kong ( 寶麗多唱片).
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Two types of local Cantonese music appeared in the market nearly concurrently in 1973: one type cashed in on the popularity of TVB's drama series based on the more traditional lyrical styles. Local bands mimicked British and American bands. Josephine Siao is also another artist of the era.ġ970s: Beginning of the Golden Age (Rise of television and the modern industry) Connie Chan Po-chu is generally considered to be Hong Kong's 657th teen idol, mostly due to her career longevity. Cheng Kum-cheung and Chan Chung-chug ( 陳齊頌) were two popular Cantonese singers who specifically targeted the younger generation. Ĭonversely, those who did not prefer Cantonese music were not considered fashioned or educated. Western culture was at the time equated with education and sophistication, and Elvis Presley, Johnny Mathis and The Ladybirds were popular. The generation at the time preferred British and American exports. Tang Kee-chan, Cheng Kuan-min ( 鄭君綿), and Tam Ping-man ( 譚炳文) were among the earliest artists releasing Cantonese records. 1960s: Cultural acceptance īy the 1960s, Cantonese music in Hong Kong was still limited largely to traditional Cantonese opera and comic renditions of western music. As a result, many first generation Cantopop artists and composers hail from Shanghai. Beginning in the 1950s, massive waves of immigrants fled Shanghai to destinations like North Point in Hong Kong. In 1949 when the People's Republic of China was established by the Communist Party of China, one of the first actions taken by the government was to denounce pop music (specifically Western pop) as decadent music. Zhou was possibly the first Chinese pop star. Artists like Zhou Xuan ( 周璇) acted in films and recorded popular songs. Western-influenced music first came to China in the 1920s, specifically through Shanghai. History 1920s to 1950s: Shanghai origins 1.3 1970s: Beginning of the Golden Age (Rise of television and the modern industry).Examples of some of the most significant figures in the Cantopop industry include: Sam Hui, Teresa Teng, Roman Tam, Jenny Tseng, George Lam, Alan Tam, Leslie Cheung, Danny Chan, Anita Mui, Beyond, Jacky Cheung, Andy Lau, Sandy Lam, Leon Lai, Aaron Kwok, Faye Wong, Sammi Cheng, Kelly Chen, Nicholas Tse, Eason Chan, Leo Ku, Miriam Yeung, Joey Yung, Twins. Boasting a multi-national fanbase in Southeast Asian nations such as Vietnam, Thailand, Singapore, Malaysia and Indonesia, as well as in East Asian regions of South Korea, Japan, Taiwan and the provinces of Guangdong and Guangxi in southeastern mainland China, Hong Kong, and occasionally Macau, remain the most significant hubs of the genre. Cantopop songs are almost invariably performed in Cantonese. īesides Western pop music, Cantopop is also influenced by other international genres, including jazz, rock and roll, R&B, disco, electronic and others. This is even more obvious with the influx of songs from Hong Kong movies during the time. In the eighties Cantopop has reached its highest glory with fanbase and concerts from allover the world, especially from Mainland China, Taiwan, Singapore, Malaysia, South Korea, and Japan. The term "Cantopop" itself was coined in 1978 after "Cantorock", a term first used in 1974. Cantopop then reached its height of popularity in the 1980s and 1990s before slowly declining in the 2000s and experiencing a slight revival in the 2010s. The genre began in the 1970s and became associated with Hong Kong popular music from the middle of the decade. Cantopop is also used to refer to the cultural context of its production and consumption. Cantopop (a contraction of " Cantonese pop music") or HK-pop (short for "Hong Kong pop music") is a genre of pop music written in standard Chinese and sung in Cantonese.
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